There is a concept in physics known as The Observer Affect, which essentially states that viewing an object inherently changes its bahavior. The results you get from observations are thus tainted unless you significantly alter how you view the object. Documentary filmmakers face a similar obstacle, in that the process of walking around with a camera and shoving it into people’s faces tends to produce altered results. This film, produced by Zach Galifianakis and featuring Joseph Garner, utterly fails to overcome this obstacle.